Music

Keith Richards, 82, Becomes Great-Grandfather, Drops New Album, and Declares War on AI!

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Legendary Rolling Stones guitarist Keith Richards, at 82, celebrates becoming a great-grandfather while promoting the band's unexpected new album, 'Foreign Tongues.' He opens up about his enduring rock'n'roll lifestyle, his relationship with Mick Jagger, and his deep-seated fears about technology and artificial intelligence.

Keith Richards, the iconic 82-year-old Rolling Stones guitarist, has recently become a great-grandfather, welcoming Luna Richards-Von Bismarck. He humorously describes his 'great-grandadding' approach and reflects on his longevity, attributing it to listening to his body, having quit smoking six years ago while still enjoying cannabis and drinking 'in moderation.' The article highlights the improbable release of the Rolling Stones' new album, 'Foreign Tongues,' coming swiftly after 'Hackney Diamonds' and 'Blue & Lonesome.' Richards reveals that some tracks, like the tender 'Some of Us,' predate drummer Charlie Watts' death by decades, while others were recorded in a recent flurry. He credits producer Andrew Watt for being a 'breath of fresh air' and driving the band's prolific output, noting Mick Jagger's recent surge in creativity. Richards discusses the evolution of his relationship with Jagger, describing less 'jousting' due to age, though he remains critical of Jagger's 'fairying off into the modern world' with solo collaborations. A staunch traditionalist, Richards expresses his disdain for modern technology, mourning the loss of cassette tapes and fearing AI's impact on music and society, stating, 'AI is killing me... I fear for the future of everything.' Despite his tech aversion, 'Foreign Tongues' successfully blends traditional and modern sounds, featuring disco-infused tracks, an Amy Winehouse cover, a surprising appearance by Robert Smith, and a Chuck Berry cover, 'Beautiful Delilah,' which brings the band full circle to their roots. Richards shares an anecdote about Berry punching him for touching his guitar. While the album's circular ending might suggest a finality, Richards dismisses the notion of it being the band's last, affirming his commitment to his path. He concludes by reflecting on his long life and how his great-grandchildren offer a new perspective on his journey.

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