2025-06-05 00:00:41.232

Chance, a San Diego-based poet and rapper, wrote the song "Locked Down" while imprisoned in Phoenix, Arizona, during the Covid-19 pandemic lockdown. The song is part of her self-published collection, "Pandemic Soup for the Soul." "Locked Down" is also featured on "Bending the Bars," a hip-hop album by artists formerly or currently incarcerated in Florida's Broward County jails. The album was organized by Chip, a south Florida abolitionist organization that provides support to inmates. The organization began receiving calls in April 2020 about medical neglect, abuse, and fear perpetuated by guards. Broward County jails are known for their lawlessness and lack of oversight, with 21 inmates reported dead since 2021. Chip used the data gathered to support a lawsuit filed by the ACLU of Florida and Disability Rights Florida. The album's creation stemmed from inmates' desire to share their art, using two phones to record songs, overcoming significant technical and logistical challenges. Musicians inside used two phones to record, one as a microphone and the other to listen to the beat. Chip covered the costs of calls, and a sound engineer helped with production. The album features a variety of genres, including Caribbean beats, southern bass, and Miami drill, and reflects themes of love, loneliness, hope, and demands for systemic change. The album's production was challenging due to censorship and limited access to communication. Despite these challenges, "Bending the Bars" is a polished and clear album showcasing the talent of the incarcerated artists. The project serves as a model for interacting with and caring for those in the prison system, and Chip plans to release a documentary about the process in 2026. Gary Field, an incarcerated organizer, writer, and scholar, emphasizes the ongoing societal abuse inherent in the prison-industrial complex, urging people to recognize, organize, and speak out against it.

2025-05-31 12:00:27.259

Taylor Swift has successfully bought back the master recordings of her first six albums, marking a significant victory in her long-running fight for ownership of her music. This acquisition includes not only the master recordings but also videos, concert films, album art, photography, and unreleased songs. Originally losing the rights in 2019 when her label, Big Machine, sold them to Scooter Braun, Swift described the sale as her "worst-case scenario." Braun later sold the masters to Shamrock Capital for a reported $300 million. Swift's letter to fans expresses gratitude to Shamrock Capital for their fair and respectful handling of the deal, emphasizing that this was a business deal but also recognized the personal significance of the music to her. While rumors suggested a much higher purchase price, Swift clarified that the actual cost was significantly lower. Swift's ability to buy back her masters was partly due to her rerecording project, where she remade her first six albums as "(Taylor's Version)", which allowed her to devalue the original recordings and regain control. This project also included unreleased songs from the original songwriting sessions. The success of her rerecordings, combined with her immensely successful Eras tour, contributed to her financial capacity to complete the buyback. While most of her first six albums have been rerecorded, Reputation remains partially unfinished, as Swift felt it perfectly captured a specific moment in her life and didn't need improvement. She hinted at the possibility of releasing the remaining rerecordings and unreleased tracks in the future. Swift's journey highlights the industry-wide conversations about artist rights that her saga initiated, leading to more young artists negotiating ownership of their master recordings in their contracts. She credits her fans for their unwavering support throughout the process.

2025-05-29 12:00:20.636

Miley Cyrus's ninth album, Something Beautiful, is presented as a concept album with "healing sound properties" and an accompanying film described as a "pop opera." However, the film is more of a collection of music videos than a cohesive narrative, lacking a plot and resembling extended perfume commercials. The album itself starts with a left-field approach but mostly settles into a mix of 80s-inspired pop, soft rock, and dance tracks. While well-written and performed, it lacks a standout hit single and doesn't deliver on its promise of psychedelic experimentation. Despite its shortcomings, the album is considered well-made and features Cyrus's signature powerful vocals, showcasing a variety of styles ranging from soul and rock to disco-infused pop and hi-NRG. The album's ambition clashes with its overall execution, leaving its commercial success uncertain.

2025-05-16 12:01:13.266

Grammy-winning singer Chris Brown was charged Thursday in England for allegedly beating a music producer in a London nightclub in 2023, prosecutors said. Brown, 36, was charged with one count of causing grievous bodily harm after being arrested at a Manchester hotel. The Sun, which first reported the story, said producer Abe Diaw told them he was hospitalized after Brown beat him in an unprovoked attack at the Tape nightclub in the swanky Mayfair neighborhood in London in February 2023. Brown was on tour in the UK at the time. The tabloid said it became aware Brown was in the UK on Wednesday and called police to find out if he was under arrest. The newspaper said Met officers then traveled to Manchester and made the arrest. Brown’s representative did not immediately respond to a request for comment from The Associated Press. Brown was held in custody and faces a hearing Friday morning in Manchester Magistrates’ Court. Brown, often called by his nickname Breezy, burst onto the music scene as a teen in 2005 and has become a major hitmaker over the years with notable songs such as “Run It,” “Kiss Kiss” and “Without You.” He won his first Grammy for best R&B album in 2011 for “F.A.M.E.” then earned his second gold trophy in the same category for “11:11 (Deluxe)” earlier this year. The singer is launching an international tour next month with artists Jhene Aiko, Summer Walker and Bryson Tiller, opening with a European leg before starting North America shows in July.

2025-05-16 12:01:13.262

Did you enjoy the papal conclave for its politicking, its gaudy hats and its general focus on peace and love, but think: “Instead of picking a pope, I wish these cardinals would step into some cheetah-skin body suits and gyrate suggestively on an exercise ball in a debasing appeal for my vote?”We ask you, then, to fix your attention on Basel, Switzerland, where rainbow-colored smoke confirms that the Eurovision Song Contest is back after an all-too-long 12 months away.Eurovision is catty, competitive and eternally controversial. It’s ridiculous, as seasoned fans will attest. It’s also full of heart, and a showcase of jaw-plunging talent. And it’s long. It’s extremely long. Twenty-six countries will compete in a four-hour grand final, one of the defining events on the LGBTQ+ cultural calendar.We couldn’t possibly ask you to make sense of it all yourself. So, your intrepid reporter – covering Eurovision for his seventh year – has crafted this utterly subjective ranking of every act taking the stage for the final. And we have help – from none other than last year’s winner, Nemo, who won gold for their genre-busting pop-opera “The Code.”This year’s field is absolutely bursting with sex, energy, sex, emotional ballads and sex. “It’s a very horny year,” Nemo notes. “I love that for all the performers.”Let’s get into it.26. Armenia: PARG, “Survivor”If Imagine Dragons are your idea of edgy rock, you’ll find PARG only mildly uncool. PARG (and we’re sorry for shouting, but he insists on all-caps) spends most of this performance topless on a treadmill, mostly in color, but sometimes – DRAMATICALLY – in black and white. He is, technically, a very handsome man, but there’s something vaguely AI-generated about his whole aesthetic; if a rogue state funded a large language model and tasked Patrick Bateman with its development, PARG would be selected as the purest example of a human adult male. The song’s terrible, by the way.25. San Marino: Gabry Ponte, “Tutta L’Italia”Just 33,000 people live in San Marino, so adults fit enough to seductively rotate their hips face high odds of being conscripted. But usually, the nation will look to their Italian neighbors for help. “We share a lot of art and culture,” Gabry Ponte, an Italian, tells CNN.And ladies and gentlemen, we have a chart-topper in our midst. Remember the infuriatingly addictive 1998 hit “Blue (Da Ba Dee)?” That was this guy! Ponte, then of Eiffel 65, returns just 27 years later with “Tutta L’Italia,” which talks – not at all reductively – about “Spaghetti, wine, Our Father and the Mona Lisa.”24. United Kingdom: Remember Monday, “What The Hell Just Happened?”I regret to inform you that the Brits, once again, have hope. No amount of merciless rejection can crush it. And here’s the good news: The UK has a tendency to select melodically challenged competitors, but these girls can sing.The problem? It’s a dreadful song. The staging is inexplicably dull. The change-of-pace chorus grows tiresome fast. Thematically, the whole thing is stuck in 2013, vapidly dissecting a party like the early hangover-pop of Kesha and Katy Perry. But times have changed. Kesha now makes empowered, critically acclaimed art-pop. Perry is a self-proclaimed authority on astrology and astronomy and the stars.This song is a lazy facsimile of a bygone era that doesn’t treat Eurovision fans with the respect they deserve. Disaster is looming for Britain; they just don’t realize it yet.23. Portugal: Napa, “Deslocado”No election can pass without controversy these days, and Portugal’s success in the semi-final left even the most seasoned Eurovision fans nonplussed. This song is perfectly nice – it wouldn’t be out of place on your Sunday morning playlist – but there’s nothing in the staging that elevates it.22. Lithuania: Katarsis, “Tavo Akys”“The foundations of everything have already begun to rot,” Katarsis’ vocalist screams. “Your eyes see pain.” It’s brooding. It’s a little boring. Katarsis is clearly working through something, and that’s great, but if Eurovision is a party, he is the contestant you don’t really want to get caught in conversation with.21. Germany: Abor & Tynna, “Baller”Germany won’t win Eurovision, but they do win CNN’s coveted award for the competition’s worst lyrics. “I shoot holes into the night; stars fall and bang on my roof,” Abor & Tynna – a brother and sister duo – sing nonsensically. “Chalk silhouettes on the sidewalk; A crime scene between us, like on ‘CSI.’” Musically this is a sneaky banger, but the live performance doesn’t elevate it.20. Israel: Yuval Raphael, “New Day Will Rise”The biggest headaches facing organizers again revolve around Israel’s participation, which is opposed by segments of the fanbase due to its ongoing war against Hamas in Gaza. Yuval Raphael survived the militant group’s attack at the Nova music festival on October 7. She’ll be singing to an arena in which Palestinian flags will be flying, after a rule change by the European Broadcasting Union (EBU); organizers will be hoping the performance passes without incident. This is the second consecutive Israeli ballad that makes implicit reference to Hamas’ attacks, but on a musical level, it’s the weaker of the pair.19. Spain: Melody, “Esa Diva”The so-called Big Five – the UK, Spain, Germany, France and Italy – qualify for the final automatically thanks to their financial contributions to the EBU. But if money can buy access, it doesn’t guarantee points. Melody’s staging is fabulous, and this song is a hot, chaotic mess (complimentary), but it’s hard to see either jury or televoter falling for it. Diva down.18. Iceland: VÆB, “Róa”Futuristic shout-pop pair VÆB bring energy – potentially a bit too much energy – and they’ll likely be deployed by producers to shake TV viewers out of a ballad-induced slumber. But that’s where their use ends.17. Norway: Kyle Alessandro, “Lighter”Nineteen-year-old Kyle Alessandro is an energetic performer. But the lyrics read like they’ve been put through Google Translate 16 times, which is some achievement, given that he’s singing in English.16. Poland: Justyna Steczkowska, “GAJA”Justyna Steczkowska returns to Eurovision 30 years after first representing Poland, and her performance is bewitching; she dangles above the stage, pulls off a series of demanding moves and even (pretends to) play the violin. But vocally, it’s a touch on the screamy side.15. Latvia: Tautumeitas, “Bur Man Laimi”Two hugely positive trends stand out in this year’s Eurovision field: the aforementioned raunchiness and the sheer number of songs sung in and inspired by national languages and cultures. Fewer tracks are in English this year; drab ballads laden with clunky metaphors still exist, but they’re harder to find. Instead, we get interesting stuff like this: a six-woman fairy-inspired ethno-pop group melding Latvian folk imagery with an ethereal chant and an impeccably-rehearsed dance routine. It’s bold and – full disclosure – it won’t work for everyone. But it’s exactly what Eurovision should be about.14. Greece: Klavdia, “Asteromáta”A haunting ballad about the emotional toll of displacement, which needs a few listens to truly appreciate. It’s ambitious and personal, and Klavdia’s vocals are top drawer.13. Netherlands: Claude: “C’est La Vie”If Claude makes it onto the stage, he’s already one-upped last year’s Dutch entrant, Joost, who was disqualified moments before the show after an altercation, the details of which remain shrouded in mystery. Bouncing between English and French is a bit of a naked play to the juries, but this chorus is moreish and it’s impeccably sung.12. Ukraine: Ziferblat, “Bird of Pray”Ukraine excels at Eurovision like nobody else. This song is bold – it might be the hardest entry to pin down musically. The costumes are pure glam rock, but even camper; the melodies zoom around and never end up quite where you’d expect. An acquired taste, but Nemo likes it: “One of the most interesting (songs) musically – it’s very daring, bold, but beautiful.”11. Estonia: Tommy Cash, “Espresso Macchiato”“No stresso, no stresso, no need to be depresso,” Tommy Cash tells us with infuriating frivolity in a gimmicky spectacle that caricatures Italian coffee culture. The song caused a brief diplomatic incident, as Eurovision entries often do, with some in Italy bristling at the lazy stereotypes on show. But Tommy insists that what he’s hearing is “mostly love” and that somewhere around “0.2%” of Italians feel offended (he didn’t share his methodology). “I’m never depresso,” he tells CNN. But he concedes that “sometimes, you can get stresso.” You won’t want to like this song, but you probably will.10. Malta: Miriana Conte, “Serving”This song was called “Kant,” until the EBU – apparently not fans of the German philosopher’s theory of transcendental idealism – forced it to change. Gen Z readers will know the slang phrase that Miriana Conte is alluding to anyway, and she lives up to it, strutting the stage in a furious cloud of girlbossery and diving into some impressive, Ariana Grande-esque vocal acrobatics. The arrangement is very 2015, and it’s all a touch on the nose, but it mostly works. “She has this amazing aura,” says Nemo. “She owns it.”9. Denmark: Sissal, “Hallucination”Denmark’s long national nightmare is over. The competition’s longest absence from the final (they last qualified in 2019) has been snapped by a fabulous, epic, searing ballad that deserves far more love than it’s getting. It’s good through headphones, but it’s much better live.8. Sweden: KAJ, “Bara Bada Bastu”Sweden are Eurovision’s perennial powerhouse; this year, they’re represented by a Finnish three-piece who took the qualification process in their neighboring country by storm. “We’re gonna sauna, sauna, steam it up,” KAJ sing on a giant sauna set. And it’s not an act – these guys really love the sauna. “It’s great for mental health, physical health, it’s a great way to meet friends,” Jakob Norrgård tells CNN. “I’m part of a sauna community,” adds Axel Åhman. “You meet all kinds of people.”This song is the favorite and it’s been endorsed by Finland’s president – which is awkward, since the country has its own contestant. It’s undeniably catchy, but we can’t place it on the same pedestal as previous Swedish victors like ABBA and Loreen.At least it has a serious public health message. “Everybody’s welcome in our sauna. We could stay in there for hours, if it’s a competition,” Norrgård says, before his tone shifts deadly serious. “But you should never compete in the sauna. It’s a bad idea.”7. Luxembourg: Laura Thorn, “La Poupée Monte Le Son”A bouncy, fun and severely underrated twist on classic. This track from Laura Thorn (titled “The Doll Turns Up The Sound” in English) is a playful riposte to Luxembourg’s own 1965 Eurovision winner, “Wax doll, rag doll,” retaking the agency that was lacking in the lyrics France Gall delivered six decades ago. It would be a crime if this didn’t do well.6. Italy: Lucio Corsi, “Volevo Essere Un Duro”If Lucio Corsi were representing a less chic nation, we’d assume he’d responded to the Swiss summer by overapplying his sunscreen. But he’s Italian, so we’re inclined to think his look is a nod to a Pierrot pantomime clown, a la an “Ashes to Ashes” era David Bowie. Either way, it’s a beautiful song (titled “I Wanted to Be Tough” in English) that plays with themes of masculinity and self-image – and it’s Nemo’s favorite. “It’s too much under the radar – I don’t get why people haven’t clocked it yet,” they tell CNN. “It really touches me.”5. France: Louane, “Maman”The devil works hard, but Eurovision’s publicists work harder. Per the biography distributed to media members, we learn that Louane “is considered more than just an artist: She has been called a bridge between the personal and the universal.” Who’s called her this? Did it just slip out naturally, after a couple of pints? What does it even mean?What matters is that France have once again found a gem, with a touching ballad dedicated to Louane’s late mother. The nation has flirted with Eurovision success with recent entries like “Voilà,” “Mon amour,” “J’ai cherché” and “Mercy” (we get it, France, you’re French). This could top them all.4. Switzerland: Zoë Më, “Voyage”Countries never win back-to-back, which is a shame, because this is stunning. A gentle ballad by a Basel-born star – gorgeously sung and cinematically shot – this will stand out amid its chaotic competitors. “The core of ‘Voyage’ is (about) spreading kindness,” Zoë Më tells CNN. “I really believe in the song.” “It’s so emotionally captivating,” adds Nemo.3. Finland: Erika Vikman, “Ich Komme”If the title of Erika Vikman’s romp “Ich Komme” – German for “I’m coming” – doesn’t spell out the themes at play here, she’s on hand to explain. “The song is literally about an orgasm,” Vikman tells CNN. What are they putting in the water in Basel?Power, sexuality, female empowerment and expression are all explored in this randy and rambunctious number. A giant, pyro-spraying microphone hammers the message home.2. Austria: JJ, “Wasted Love”The classically-trained JJ boasts some stunning operatic vocals chords and the song plays to his strengths, climaxing in a truly thrilling cacophony. “I had a pretty tough year, and I wanted to write about my personal experience with wasted, unreciprocated love,” he tells us. It’s the best song at the competition.But here’s the rub: Eurovision hates even a whiff of mimicry, and this song is far too similar to “The Code.” It may still come out on top, but consecutive winners rarely sound this alike. Nemo, for his part, is diplomatic: “I think it’s such a nice thing for Eurovision artists to continue to inspire each other.”1. Albania: Shkodra Elektronike, “Zjerm”An intense bald gentleman and a songstress who looks to have dabbled in a cult or two form Eurovision’s unlikeliest pairing.They sing about an oasis – “There’s no ambulance around the street, no one talks to you arrogantly” – clearly oblivious to the British bachelor parties that blight Tirana, Albania’s capital.And they must be huge Eurovision fans, right? “No, not at all,” Beatriçe Gjergji tells CNN. “(It’s) not our type of music.”Frankly, their ambivalence is an asset: there is nothing else like this performance on offer, and they’re getting deserved buzz from fans as a result. “If you believe in the type of music you love, maybe something can happen,” Gjergji says.

2025-04-04 18:00:26.547

Reggae rapper Dylan John, known for his appearance on Diddy's 'Making The Band', was arrested by the Apex Police Department for allegedly slapping a man named Paul Joseph Galullo twice in the face. The incident occurred on April 3rd in Wake County, NC. Police charged John with simple assault, a misdemeanor. He was released after posting a $500 bond and is due in court on July 1st. John previously gained notoriety for clashing with Diddy and Wyclef Jean on 'Making The Band' and later being spoofed on Chappelle's Show, a skit he blamed for hurting his music career.

2025-03-29 06:02:35.454

Rapper Young Scooter, whose real name was Kenneth Edward Bailey, passed away on his birthday at Grady Marcus Trauma Center in Atlanta. He was 39. Emergency Medical Services transported him to the hospital from a location in southeast Atlanta. The Fulton County Medical Examiner's Office is investigating the cause and manner of death, and an autopsy will be performed. Scooter gained recognition in 2012 after signing with Future's record label, Freebandz. He collaborated with Gucci Mane on the mixtape "Free Bricks 2" in 2013 and also worked with Future and Juice Wrld on the song "Jet Lag," which charted on Billboard.

2025-03-11 06:00:19.921

Drake has sparked intrigue with a cryptic Instagram post, alluding to an upcoming 'chapter' that might unsettle fans. The post, featuring a slideshow of images including a Zofran pill (used to treat nausea from chemotherapy), suggests a significant shift. While he mentions his past non-confrontational approach, he hints that this new direction will be more assertive, potentially addressing unanswered texts. The post comes after his 14th No. 1 album and recent hints at a new solo album. Speculation connects this to his past feud with Kendrick Lamar, amplified by recent high-profile appearances.

2025-03-08 12:00:40.966

D’Wayne Wiggins, singer and guitarist for the popular R&B group Tony! Toni! Toné!, died after a battle with cancer, his family announced on the group’s verified social media Friday. He was 64. “With broken hearts, we share with you that our beloved D’Wayne passed away this morning surrounded by family and loved ones,” their statement read. “Over the past year, he has been privately and courageously battling bladder cancer. Through this fight, he remained committed and present for his family, his music, his fans and his community.” Wiggins was one of the co-founders of the group, which included his half-brother, Raphael Saadiq, on bass and vocals and cousin, Timothy Christian Riley, on drums/keyboards. Tony! Toni! Toné! formed in their native Oakland, California, in 1986. They released their debut single, “One Night Stand,” the following year. Their album “Who?” and their hit single “Little Walter” debuted in 1988. They became some of the stars of the New Jack Swing music movement of the ’80s and ‘90s. Their hits, including “Feels Good,” “Whatever You Want,” “Anniversary,”“It Never Rains (in Southern California)” and “Just Me and You” are now classics. The three singers eventually broke off to pursue solo projects, but managed to stay close in ways that have escaped many other groups like them. “There’s nothing like being at home and being on stage together is like being at home in our living room,” Wiggins told CNN in 2023, when the group came back together to tour after 25 years. “Timing is everything.” He told CNN they learned from artists like Earth Wind and Fire to hone their craft with time. “It’s about building a brand,” Wiggins said at the time. “Not many R&B or even in hip-hop artists understand that, but we do.” His family reflected on his accomplishments in their statement. “D’Wayne’s life was incomparable, and his music and service impacted millions around the world, including in his hometown of Oakland, California,” they wrote. “He was a guitarist, producer, composer, philanthropist, mentor and founding member of Tony! Toni! Tone! He was deeply passionate about providing artist development and mentorship to emerging young musicians, helping to shape the early careers of many.” Wiggins’ family highlighted his efforts help to shape the early careers of artists such as Destiny’s Child, H.E.R, Keyshia Cole and Alicia Keys. “He created musical sanctuaries for established and emerging artists to cultivate their talents in studio and stage spaces where all night jam sessions were legendary,” his family said in a statement to CNN on Friday afternoon. “Services are being planned so we can honor his life and his pioneering legacy,” they added. “We will share more details as they are available.” The announcement of his death came days after a post which stated that Wiggins was “experiencing medical complications.”

2025-03-08 06:00:48.35

D’Wayne Wiggins, singer and guitarist for the popular R&B group Tony! Toni! Toné!, died after a battle with cancer, his family announced on the group’s verified social media Friday. He was 64. “With broken hearts, we share with you that our beloved D’Wayne passed away this morning surrounded by family and loved ones,” their statement read. “Over the past year, he has been privately and courageously battling bladder cancer. Through this fight, he remained committed and present for his family, his music, his fans and his community.” Wiggins was one of the co-founders of the group, which included his half-brother, Raphael Saadiq, on bass and vocals and cousin, Timothy Christian Riley, on drums/keyboards. Tony! Toni! Toné! formed in their native Oakland, California, in 1986. They released their debut single, “One Night Stand,” the following year. Their album “Who?” and their hit single “Little Walter” debuted in 1988. They became some of the stars of the New Jack Swing music movement of the ’80s and ‘90s. Their hits, including “Feels Good,” “Whatever You Want,” “Anniversary,” “It Never Rains (in Southern California)” and “Just Me and You” are now classics. The three singers eventually broke off to pursue solo projects, but managed to stay close in ways that have escaped many other groups like them. “There’s nothing like being at home and being on stage together is like being at home in our living room,” Wiggins told CNN in 2023, when the group came back together to tour after 25 years. “Timing is everything.” He told CNN they learned from artists like Earth Wind and Fire to hone their craft with time. “It’s about building a brand,” Wiggins said at the time. “Not many R&B or even in hip-hop artists understand that, but we do.” His family reflected on his accomplishments in their statement. “D’Wayne’s life was incomparable, and his music and service impacted millions around the world, including in his hometown of Oakland, California,” they wrote. “He was a guitarist, producer, composer, philanthropist, mentor and founding member of Tony! Toni! Tone! He was deeply passionate about providing artist development and mentorship to emerging young musicians, helping to shape the early careers of many.” Wiggins’ family highlighted his efforts help to shape the early careers of artists such as Destiny’s Child, H.E.R, Keyshia Cole and Alicia Keys. “He created musical sanctuaries for established and emerging artists to cultivate their talents in studio and stage spaces where all night jam sessions were legendary,” his family said in a statement to CNN on Friday afternoon. “Services are being planned so we can honor his life and his pioneering legacy,” they added. “We will share more details as they are available.” The announcement of his death came days after a post which stated that Wiggins was “experiencing medical complications.”